The 'Golden Hour' is that time just around sunrise and
sunset where the sun emits a soft warm glow, and almost any photo you shoot
looks magic. However, if you're in an
Australian summer and the golden hour comes at mid-day, look out a bushfire
isn't far away. The thick smoke causes
the sun to emit a similar type of light to sunset, and things do start to get a
bit spooky. Here you can see the effect of the smoke on the horizon from a large fire about 30 mins west of Mt Gambier.
MISSION:
Snapshot Voyager is about my own personal photography journey. I am always looking to try something new, inquisitive as to how it works, and to the end results I might achieve.
Sunday, 20 January 2013
Thursday, 17 January 2013
Extra light
One thing that is great about being home is that Dad and I
both get to share our passion for photography.
I have sent some Pentax lenses over to him whenever I have come across
something interesting, and we spent a couple hours playing with an old Pentax
300mm f4.
Another was playing with lighting, using this LED flashlight. The light emitted was very cool, so it gave
the rest of the photo a quite unique look when the camera adjusted white balance. The shallow depth of field of the Nikon 50mm f1.4 allowed the background to fade out smoothly, yet the mesh fence gave a nice recurring pattern.
Monday, 14 January 2013
Australia Trip
On a recent trip to Australia to see family I decided to
take what I needed, but not too much camera gear. I ended up taking the D600 with Tokina 17mm
f3.5, Tamron 24-135mm f3.5-5.6 and Nikon 50mm; as well as the Fuji X100. This package turned out to be pretty close as
I ended up getting a reasonable amount of use out of everything I took. Sometimes I wished for a little more macro,
other times a little more tele, but realistically I covered over 95% of what I
needed it for, so a good combination.
Wednesday, 9 January 2013
The $1 photographic essential
One of the most useful pieces of photo equipment for home
shots only costs a $1, and that's a largish piece of white card. What I do is I put it on a dresser we have
and curl it up the wall, sitting the object to weigh down the card so it
doesn't move. I then use bounce flash to
shoot, with an over exposure by the flash of 1 stop. Usually I use a macro lens due to the
excellent resolution and set it around f11 for maximum across the frame
sharpness. My Micro-Nikkor easily
outresolves the D600 sensor, so no issues getting details, and also allows for
deep cropping. Because of this, getting
back a little to increase the depth of field, is usually a good idea.
Almost perfect product shots for a $1 outlay.
Sunday, 6 January 2013
Rainy flower shooting
Over summer last year we had some relatives come to
visit. We decided to take them to the
nearby Edward Gardens, but the inclement weather had different ideas. We stayed around for a short while, though it
wasn't a whole lot of fun. I took the
D90 and the Nikkor 60mm micro and took a few shots where I could. Drops on flowers always come up well, and
this situation was no different.
Thursday, 3 January 2013
NOCT is back
Nikon Rumors reports that Nikon has filed a patent for a
58mm f1.2 lens, with an optic elements diagram that is very similar to the famous
Nikon NOCT 58mm f1.2 lens. The NOCT that
was released in 1977 and remained in extremely limited production until 1997,
with less than 11,500 ever made. By way of comparison, Nikon has produced over
7 million 18-55mm VR lenses!! It was
designed to perform at its best at maximum aperture and to prevent chromatic
spherical abberation, commonly showing up as low contrast with 'bat's wings'
around points of light.
I am sure Nikon sees this as a great opportunity to compete
against Canon's 50mm f1.2 L series lens, and gain some profit from a higher end
lens. Without a doubt, Nikon will price
such a lens in the $1,800 - $2,000 price range, similar to the 35mm f1.4 and
the 24mm f1.4.
| Edward Gardens - Nikon D90 w/ Nikon 60mm f2.8D Micro |
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