Full Frame Observations - manual focusing with fast lenses

One lens that I have for a while and love using on full frame is the Nikon 50mm f1.2.  Actual performance at f1.2 is not that great, with very high light fall off and some overall softness, but the images really do pop with the shallow depth of field when you get it right.

However shooting a toddler near minimum focus distance at f1.2 with manual focus on a full frame camera is close to impossible.  You only have less than 1cm available to you to nail focus, and as they move so quickly you don't get too many keepers.  Better to use it as a night street shooter, like this shot of Nuit Blanche in 2010 on the D700.

Kodak Full Frame SLR

Recently, just before the D800 was announced, I saw an ad in the on line classifieds for a Kodak DSC Pro 14n for $500 and I was sorely tempted.  I am starting to seriously miss the full frame D700 I had and I am getting quite itchy.  The Kodak camera came out almost 10 years ago and was the first full frame Nikon mount digital SLR available.  Sure it’s a 14MP full frame camera, but it is based on the old Nikon F80, and the software in the camera, now 10 years old, wasn’t that great when it was new.

Though tempting, I don’t like being frustrated by cameras, so I’m going to wait it out.

Nuit Blanche Toronto 2010

Montreal Nuit Blanche #1 – Peace Out

For our 7^th anniversary last year, my wife and I went to Montreal for the weekend.  Totally unplanned, we found that Nuit Blanche was on and decided to take a look around.  My favourite was this guy (Phil Allard) who was making up a giant peace sign with tiny Chinese characters and some unidentified squiggles.  Very cool!  It also made for some great shots with the Nikon D700 and a Nikon 50mm f1.4 AF lens.

This wide angle shot was taken with a Tokina 17mm f3.5 AF prime.  This lens is hard to find, but is actually pretty good.  Size wise its half way between the rather large Sigma wides (12-24mm and 20mm f1.8) and the dwarfish Nikon 20mm f4.

Looking for a Night Street Shooter - Part 1 - The Need

I really like street photography.   It captures the mood of a place, and what people are doing in their day to day lives.  My wife and I often walk streets together – her looking at interesting shops, me taking photos.

For quite some time I’ve been on the look out for a small pocketable digital camera that was versatile and delivered great image quality.  Such a camera is perfect for street photography, easy to whip out when you need to, and very discreet.

Several cameras have come out that have satisfied some of my criteria, but I dismissed all of them:

Point n’ shoot digitals – very poor high ISO performance, controls too basic, limited depth of field adjustment, shutter lag; but they are small and very pocketable

Sigma DP1 – Too expensive, non-interchangeable lens; but the large APS-C size sensor was interesting.  The same type as most D-SLRs, with good low light / high ISO performance.

Leica X1 – A slightly nicer Sigma DP-1 that is stupidly expensive.

Olympus EP-1 / Panasonic GF-1 – I loved the idea of interchangeable lenses on a compact camera, and being able to use adapter to fit many other brands of lenses, specifically for me, Leica and Nikon.  I also liked the available wide angles – 17mm Olympus, and fast 20mm Panasonic f1.7.  Both very compact, but they have huge distortion when not self-corrected by camera software – not a good sign for a lens purist like me.  The four-thirds sensor is also too small, creating too much high ISO noise.  No good for night street photography where low light / high ISO performance is critical.  It also doubles the focal length of all my Full Frame lenses – again no good for street photography where a wide lens is much better suited.  I also like shallow depth of field effect, and even the four thirds sensor adds 2-3 stops of depth of field compared to a full frame sensor.

Nothing really seemed to work, so lugging a D-SLR around was going to continue.

TO BE CONTINUED......

The photos in this post and the rest of the upcoming posts in this little series are taken at the 2010 Toronto Nuit Blanche (Night time Arts Festival) with my Nikon D700 and a Nikon 50mm f1.2 – an awesome low light combination; and my benchmark for night time street photography. However the size makes it unsubtle, and a little worrysome when you remember the value of the camera that’s very visible in a slightly sketchy area; which is in a large part why this adventure for a smaller camera is taking place.